PUBLISHING YOUR OWN MAGAZINE
HOW TO GET STARTED
FIRST PUBLISHED IN JANUARY 2006
PAGE SIX
ORAL HISTORY TAKING:
Depending on the amount of time you are able to devote to the
production of your magazine, there are many additional ways through
which you can obtain material suitable for publication from your
readers.
As mentioned previously, many people find it almost impossible to write
about their recollections despite the fact that they have so much to
contribute. I have spent many hours on the phone listening to people
relate their experiences to me only to be told that they simply cannot
write them down on paper. To make things easier, I have begun visiting
people in their homes where I can record their memories as they are told
to me.
I am not qualified in the art of documenting Oral History and I do not
employ any special techniques or equipment, I simply sit, listen
carefully to what the person has to say and take as many notes as
possible.
Such personal visits very often provide a much clearer picture than
would be available had that person submitted their own recollections to
you on paper. You have the opportunity to ask questions, clarify certain
points and offer gentle hints to expand on what you have learned so far.
I try to create a situation where the person being interviewed feels
comfortable and at ease, as if they were simply having a conversation
with me.
Once you have obtained as much information as you deem possible, perhaps
over a period of several visits, it is then usually a relatively easy
task to compile your hastily scribbled notes into a readable and
interesting account of that persons life.
There is great satisfaction to be gained from employing such tactics and
being able to record stories that without those efforts would never have
become known.
One of the benefits of producing a community magazine is that you will
find many people willing to assist you voluntarily. The whole idea of
documenting local history through your own personal efforts is something
that a lot of people find inviting and I have the assistance of two
volunteers who now carry out a number of interviews on my behalf using
similar techniques to those outlined above.
While every personal memory has its own special place within your
collection, there are occasions when you receive stories that simply
make all the effort you have put into the production of your magazine
worthwhile.
Your magazine offers people an outlet, giving them the opportunity to
relate things that may have gone untold for many years. Hidden away in
drawers, cupboards and chests are some of the most intimate and moving
stories you are ever likely to read.
I have shared tales of immense sadness, tales of happiness and joy and
tales of undying love. To be the recipient of such stories makes me
proud to have done what I have done in making available an outlet for
such personal expression.
I have received copies of several letters that were sent over sixty
years ago from members of our armed forces to their loved ones back
home. When you think that after all that time you are suddenly in
receipt of a letter that in many cases has laid undisturbed since then
you quickly realise what a wonderful project you have created.
Michael Norfolk.
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